Anke Brouwers introducing Days of Heaven
This weekend, the first edition of Day for night took place, a 24-hour film marathon organized by Cinea, KASKcinema and the Ghent University film club Film-Plateau. With nine films, six introductions, and just very tiny breaks in-between, it may look like a lot of unnecessary suffering for some, but for true cinephiles watching John Ford’s She wore a yellow ribbon, Alfred Hitchcock’s To catch a thief and Terrence Malick’s Days of heaven in a row just feels like… well, like a day and night of heaven.
French and Dutch-language poster for Daughters of Darkness
I gave an introduction to Harry Kümel’s 1971 Daughters of Darkness, a terrific vampire cult film which succeeds in making the bridge between arthouse and exploitation cinema. Afterwards, the night program continued with Toute une nuit (1982, Chantal Akerman), Night on earth (1991, Jim Jarmusch, 1991), Demoni (1985, Lamberto Bava) and Die hard (1988, John McTiernan). The closing film of the weekend was F.W. Murnau’s beautiful silent film Sunrise (1927).
Wouter Hessels introducing Sunrise
Appropriate dinner for a film marathon…